Unfortunately, catastrophes or scandalous disclosures always have to happen before humanity realises that it is only its own mistakes that have led it into misfortune. These are all the more difficult to rectify, because in the main they have been made by the authorities, who will not commit suicide themselves, but in order to save their own skins, they would rather that all Life should perish before they acknowledge their errors.
I think it would have been very much better, had Newton contemplated how the apple got up there in the first place.
Everything flows, floats and moves. There is no state of equilibrium – there is no state of rest.
So many problems, however infinitely varied they first appear, turn out to be matters of money. I can’t tell you how much this offends me. The value of money is a scam perpetrated by those who have it over those who don’t; It’s the Emperor’s New Clothes gone global. If chimps used money and we didn’t, we wouldn’t admire it. We’d find it irrational and primitive. Delusional. And why gold? Chimps barter with meat. The value of meat is self-evident.
The world runs on the fuel of this endless, fathomless misery. People know it, but they don’t mind that they don’t see. Make them look and they mind, but you’re the one they hate, because you’re the one that made them look.
Karen Joy Fowler, We Are All Completely Beside Ourselves.
I have recently been reading a most enjoyable novel called The Dream Illuminati by Wayne Saalman (Falcon Press, Santa Monica, 1988). Mr. Saalman has found an epic theme – dreams of flight, and the achievement of flight.
Historically, dreams of flying appeared in the collective unconscious before the reality of flight existed in technology, and it seems plausible that if we understood our dreams better we would use our technology more wisely. Our machines manifest our dreams in matter crafted to coherence, and a psychoanalysis of our culture could easily derive from an examination of how we use science to materialize our fantasies and nightmares.
Mr. Saalman’s science-fantasy made me wonder: Why have we always dreamed of flying, and why have we built flying machines? This question seems “eminently” worth pondering in a world where 200,000,000 people pass through Kennedy International Airport every year, flying the Atlantic in one direction or the other.
To understand the profound, it often appears helpful to begin with clues that seem trivial. I suggest that we contemplate what our children look at every Saturday morning on TV. One of the most popular jokes in animated cartoons shows the protagonist walking off a cliff, without noticing what he has done. Sublimely ignorant, he continues to walk-on air-until he notices that he has been doing the “impossible,” and then he falls. I doubt very much that there will be any reader of Magical Blend who has not seen that routine at least onec; most of us have seen it a few hundred times.
It might seem pretentious to see a Jungian archetype adumbrated in crude form in this Hollywood cliché, but follow me for a moment.
When Hollywood wishes to offer us the overtly mythic, it presents Superman, who can “leap over tall buildings in a single bound,” and a more recent hero named Luke Skywalker. Continue reading
There have always been two predominant and rival views of man and his position or predicament. Tough and tender-minded come to mind, as do cyclic and linear, hawk and dove. Blake saw our ambivalence in terms of biblical vision and Greek reflection. Reflection, relying on material things, ends in the dead inertia of the rock as the only real, the mind as the unreal. Vision is creative imagination using the eyes as windows to see with actively and not through passively.
Vision sees life as an “eternal existence in one divine man.” Reflection sees life as a series of cycles in nature. Northrop Frye says we vacillate our life away between the two notions, never fully conscious of either. Reflection is Blake’s Diabolos, the nihilistic impulse of self-doubt reminding us of our helpless frailty and increasing our dependence on the current priesthoods. If the fire-walker listened to this side of his nature, he would never walk fire. As Blake said, “If the sun and moon should doubt, they would immediately go out.”
The victory of the cyclic theory becomes the view of a fallen, deadlocked world, a mechanical horror. In Eastern terms this world is a cosmic error to be overcome, from which to escape back into an undifferentiated continuum. In Western terms the universe is a monstrous necessity, grinding itself out in a great entropic road to folly and nothingness. Frye points out that we are incapable of accepting this view as objective fact. The moral and emotional implications of it become mental cancers breeding cynical indifference, short-range vision, selfish pursuit of expediency, and “all the other diseases of selfhood.”
Reflection inverts the “eternal mental life of God and Man, the Wheel of Life,” into a dead cycle. Wonder, joy, imagination, ecstasy, even love, are smugly diagnosed by these cyclic destroyers, who test the blood count, analyze the temperature, the oxygen content, the background of the subjects, and learnedly dismiss as aberrations the highest capacities life has yet produced. All free actions are held in ridicule, only reactions are left. The belly and groin are made supreme, the only point of realness, and the strings by which the vulture-priests think to make the Naked Ape dance to their grindings. But the ape is not controlled thereby, he merely goes mad and dies or destroys.
Saturation with images of violence creates violence, and saturation with ideologies of reflective thinking creates suicidal despair. We need an image, a mythos, representing a way upward and outward where creative longing can be released and not denied. But reflective thinking seizes the insight given by vision and turns it into a dogma that makes for reliably ineffective, lifeless supporters of the world, in that world and hopelessly of it.
The cyclic religious view loves to speak of “God’s plan” for mankind. We are a theatrical group, they say, our roles preordained according to some shadowy script. As free actors we do not follow the prescribed actions, as interpreted by the ruling hierarchy of those who know. Or there is “God’s great symphony” spread out for all to play, if we would just follow the notes properly and watch the beat of that great-baton-up-yonder, a pulse which synchronizes strangely with the heartbeat of the current powers that feast on fools.
Science has only a small shift to turn this preordaining god into an inflexible and other-to-us Nature, with all the universe laid out on a grand economy of laws. To discover these laws is the Promethean goal, the religious duty in new vestments. And cultures are crushed, the young gods are condemned to years of a madness-producing attempt at metanoia called education, and whole civilizations are whipped into line to serve the new god.
We are not involved with a preset script on a preset stage. We are a magnificent and terrible improvisation in which we must be spontaneous playwrights, actors, critics, and audiences. There is no orchestral score up there with every note assigned and waiting. We are, at best, an aleatoric performance. Cacophony and discord are inevitable, yet infinite combinations await us. We err and are bound to err in this open system, yet we are never bound to our errors, as an infinite ability to correct these errors is built in.
We long for an ultimate and our longing is itself the ultimate. Our need is the universal, that with which we satisfy is the particular and never sacrosanct. There is no absolute “out there” of logic, reason, love, goodness, or perfection. Nature is amoral, indifferent, operating by profusion. Needing these things we can only become them by boldly beholding them as our rightful due. Life creates myth and then strives to fill it by imitation.
Susanne Langer warned that our losses to science should not be taken lightly. And what we have lost is our psyche, our very soul. Mass psychosis, sickness of soul, is the price we are paying for letting a product become our absolute, letting a tool become master. The young rebel lashes out blindly at this living death to which he is condemned and which he must support, for which he must fight. The tragedy is that by the time he senses a deadly trap he has become, by the very process of reality formation, that against which he instinctively rebels. The only logical tools with which he can fight create the very situation he hates. As don Juan said, “When you find the path you are on has no heart, and try to leave that path, it is ready to kill you.” Very few men, he observed, can stop to deliberate at that point, and leave the path.
Any path we choose is arbitrary, but in our choice we shape the world as it is for us. Cohen felt that whatever reality is, we will never know it. I have claimed that reality is what we do know, that the world as it is for us is one we represent to ourselves for our own response. So it is with nature, God, “ultimate matter,” and so on. We can never get at these as such. Everything we say about them, our sciences, dogmas and creeds, are only representations we seem fated to make and to which we are fated to respond. God, as surely as “Nature,” is a concept shot through and through with the mind of man.
And yet, who for a minute believes that nature is only a projection of man’s mind? Nature is something of which I am a part, and which I must represent to myself. But it is also something which I am not. My thinking and that nature thought about create an event, but they are not identical. Man is not God or nature because he projects gods and natures for his life. Projection is not the whole mechanism even though it shapes the ground on which we stand. There is always more than this.
Joseph Chilton Pearce, The Crack in the Cosmic Egg.
Reality is not a fixed entity. It is a contingent interlocking of moving events. And events do not just happen to us. We are an integral part of every event. We enter into the shape of events, even as we long for an absolute in which to rest. It may be just this longing for an absolute in which our concepts might not have to be responsible for our percepts, and so indirectly our reality, that explains the hostility of our ordinary intellect to these shadowy modes of mind.
Our inherited representation, our world view, is a language-made affair. It varies from culture to culture. Edward Sapir, the linguist, called this idea of ours that we adjust to reality without the use of language an illusion. He claimed that the “real world” is to a large extent built up on the language habits of the group.
None of us exercises our logical, social thinking as a blank slate, or as a photographic plate, seeing what is “actually there.” We focus on the world through an esthetic prism from which we can never be free except by exchanging prisms. There is no pure looking with a naked, innocent eye. Even our most critical, analytical, scientific, or “detached” looking is a verification search, sifting through possibilities for a synthesis that will strengthen the hypotheses that generate the search.
Our world view is a cultural pattern that shapes our mind from birth. It happens to us as fate. We speak of a child becoming “reality-adjusted” as he responds and becomes a cooperating strand in the social web. We are shaped by this web; it determines the way we think, the way we see what we see. It is our pattern of representation and our response sustains the pattern.
Yet any world view is arbitrary to an indeterminable extent. This arbitrariness is difficult to recognize since our world to view is determined by our world view. To consider our world view arbitrary and flexible automatically places our world of reality in the same questionable position. And yet we are always changing this world view. We represent such changes as discoveries of absolutes in order to protect outselves from our arbitrary status, and to avoid the implication that human thinking is a creative process. We deny that disciplines of mind synthetically create; we insist we are but discovering “nature’s truths.” We possess an open-ended potential at considerable variance with contemporary nihilisms, but we must recognize and accept the dynamic interplay of representation-response if we are not to be acted on rather than fully acting.
It has been claimed that our minds screen out far more than we accept, else we would live in a world of chaos. Our screening process may be essential, but it is also arbitrary and changeable. We pick and choose, ignore or magnify, illuminate or dampen, expand upon or obscure, affirm or deny, as our inheritance, adopted discipline, or passionate pursuit dictate. At root is an esthetic response, and we invest our esthetic responses with sacred overtones.
Most people respond automatically to their given circle of representation, and strengthen it by their unconscious allegiance. Since their cultural circle is made of many conflicting drives for their allegiance, their lives are fragmented and ambiguous.
This centering of mind fills a person with power and conviction. It creates mathematicians, saints, or Nazis with equal and impartial ease.
We look on archetypal world views, those held by “primitive” tribes, and consider them archaic “survival” mechanisms. We have been taught that the real “out there” has been seen only dimly before, but with a progressively more realistic, aware, civilized eye, culminating in our viewpoint. (Alien world views can thus be exploited or even removed as threats to our true one, lending a religious sanctification to our culture destructions.)
Levi-Strauss, the French anthropologist, challenges our smug chauvinisms. He claims that archaic thought patterns were highly disciplined, intellectual structures, designed to give the world coherence, shape, and meaning. This is, in fact, just what all world views do. Primitive man “sacralized” his intellectual structure no more than we do ours. Neither system is any more true than the other. Ours is more esthetic-ally desirable to us, but is bought at the same price all selective systems are, the price of those possibilities sacrificed to keep a limited structure intact. The difference between Einstein’s relative universe and the Dream-Time cosmology of the Australian aborigine is not a matter of truth or falsehood, realism or illusion, progression or regression, intelligence or stupidity, as the naive realists have claimed. It is a matter of esthetic choice. Each system produces results unobtainable to the other; each is closed and exclusive.
Joseph Chilton Pearce, The Crack in the Cosmic Egg.