IAIN MCGILCHRIST: RELIGIOUS EXPERIENCE & DESIRE

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IN MY OWN WORDS: HENRI BERGSON’S CREATIVE EVOLUTION

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Iain McGilchrist recommended Bergson’s Creative Evolution as a way to understand the reality and importance of time, or, as Bergson himself would have it, duration.  I found the book hugely inspiring and, so as to really understand (and remember) the extent and complexity of Bergson’s thinking, I decided to summarise the book in my own words, as best as I could.  I’m still digesting the full scope of what Bergson thinks and so what follows is not my opinion about his ideas, but as always, I would love nothing more than to engage in discussion.  You can read the whole book itself here.
Adam John Miller, March 2019

Introduction

Our faculty of intellect has evolved from our faculty of action, intended to best fit the body to its environment and to represent the relationships of external things amongst themselves.  Action is impossible without fixity and stability and so the intellect feels at home amongst the inanimate.  The immobile is all it knows.  If the intellect is created by life then how is it possible for it to wholly embrace life, of which it is but an aspect?  Not one of the aspects of our thought: unity or multiplicity, mechanical causality or intelligent finality, applies exactly to the things of life.

“Who can say where individuality begins and ends, whether the living being is one or many, whether it is the cells which associate themselves into the organism or the organism which dissociates itself into cells?”

  Continue reading “IN MY OWN WORDS: HENRI BERGSON’S CREATIVE EVOLUTION”

THERE ARE NO THINGS, THERE ARE ONLY ACTIONS

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Everything is obscure in the idea of creation if we think of things which are created and a thing which creates, as we habitually do, as the understanding cannot help doing. It is natural to our intellect, whose function is essentially practical, made to present to us things and states rather than changes and acts. But things and states are only views, taken by our mind, of becoming. There are no things, there are only actions.

More particularly, if I consider the world in which we live, I find that the automatic and strictly determined evolution of this well-knit whole is action which is unmaking itself, and that the unforeseen forms which life cuts out in it, forms capable of being themselves prolonged into unforeseen movements, represent the action that is making itself.

Now, I have every reason to believe that the other worlds are analogous to ours, that things happen there in the same way. And I know they were not all constructed at the same time, since observation shows me, even to-day, nebulae in course of concentration. Now, if the same kind of action is going on everywhere, whether it is that which is unmaking itself or whether it is that which is striving to remake itself, I simply express this probable similitude when I speak of a centre from which worlds shoot out like rockets in a fireworks display—provided, however, that I do not present this centre as a thing, but as a continuity of shooting out.

God thus defined, has nothing of the already made; He is unceasing life, action, freedom. Creation, so conceived, is not a mystery; we experience it in ourselves when we act freely. That new things can join things already existing is absurd, no doubt, since the thing results from a solidification performed by our understanding, and there are never any things other than those that the understanding has thus constituted. To speak of things creating themselves would therefore amount to saying that the understanding presents to itself more than it presents to itself—a self-contradictory affirmation, an empty and vain idea. But that action increases as it goes on, that it creates in the measure of its advance, is what each of us finds when he watches himself act. Things are constituted by the instantaneous cut which the understanding practices, at a given moment, on a flux of this kind, and what is mysterious when we compare the cuts together becomes clear when we relate them to the flux. Indeed, the modalities of creative action, in so far as it is still going on in the organization of living forms, are much simplified when they are taken in this way. Before the complexity of an organism and the practically infinite multitude of interwoven analyses and syntheses it presupposes, our understanding recoils disconcerted. That the simple play of physical and chemical forces, left to themselves, should have worked this marvel, we find hard to believe. And if it is a profound science which is at work, how are we to understand the influence exercised on this matter without form by this form without matter? But the difficulty arises from this, that we represent statically ready-made material particles juxtaposed to one another, and, also statically, an external cause which plasters upon them a skilfully contrived organization. In reality, life is a movement, materiality is the inverse movement, and each of these two movements is simple, the matter which forms a world being an undivided flux, and undivided also the life that runs through it, cutting out in it living beings all along its track. Of these two currents the second runs counter to the first, but the first obtains, all the same, something from the second. There results between them a modus vivendi, which is organization. This organization takes, for our senses and for our intellect, the form of parts entirely external to other parts in space and in time. Not only do we shut our eyes to the unity of the impulse which, passing through generations, links individuals with individuals, species with species, and makes of the whole series of the living one single immense wave flowing over matter, but each individual itself seems to us as an aggregate, aggregate of molecules and aggregate of facts. The reason of this lies in the structure of our intellect, which is formed to act on matter from without, and which succeeds by making, in the flux of the real, instantaneous cuts, each of which becomes, in its fixity, endlessly decomposable. Perceiving, in an organism, only parts external to parts, the understanding has the choice between two systems of explanation only: either to regard the infinitely complex (and thereby infinitely well-contrived) organization as a fortuitous concatenation of atoms, or to relate it to the incomprehensible influence of an external force that has grouped its elements together. But this complexity is the work of the understanding; this incomprehensibility is also its work. Let us try to see, no longer with the eyes of the intellect alone, which grasps only the already made and which looks from the outside, but with the spirit, I mean with that faculty of seeing which is immanent in the faculty of acting and which springs up, somehow, by the twisting of the will on itself, when action is turned into knowledge, like heat, so to say, into light. To movement, then, everything will be restored, and into movement everything will be resolved. Where the understanding, working on the image supposed to be fixed of the progressing action, shows us parts infinitely manifold and an order infinitely well contrived, we catch a glimpse of a simple process, an action which is making itself across an action of the same kind which is unmaking itself, like the fiery path torn by the last rocket of a fireworks display through the black cinders of the spent rockets that are falling dead.

Henri Bergson, Creative Evolution
Read the whole book here.

BOILING GEOMETRY

If I boil water in a kettle on a stove, the operation and the objects that support it are, in reality, bound up with a multitude of other objects and a multitude of other operations; in the end, I should find that our entire solar system is concerned in what is being done at this particular point of space. But, in a certain measure, and for the special end I am pursuing, I may admit that things happen as if the group water-kettle-stove were an independent microcosm. That is my first affirmation. Now, when I say that this microcosm will always behave in the same way, that the heat will necessarily, at the end of a certain time, cause the boiling of the water, I admit that it is sufficient that a certain number of elements of the system be given in order that the system should be complete; it completes itself automatically, I am not free to complete it in thought as I please. The stove, the kettle and the water being given, with a certain interval of duration, it seems to me that the boiling, which experience showed me yesterday to be the only thing wanting to complete the system, will complete it tomorrow, no matter when tomorrow may be. What is there at the base of this belief? Notice that the belief is more or less assured, according as the case may be, but that it is forced upon the mind as an absolute necessity when the microcosm considered contains only magnitudes. If two sides of a triangle and the contained angle are given, the third side arises of itself and the triangle completes itself automatically. I can, it matters not where and it matters not when, trace the same two sides containing the same angle: it is evident that the new triangles so formed can be superposed on the first, and that consequently the same third side will come to complete the system. Now, if my certitude is perfect in the case in which I reason on pure space determinations, must I not suppose that, in the other cases, the certitude is greater the nearer it approaches this extreme case? Indeed, may it not be the limiting case which is seen through all the others and which colors them, accordingly as they are more or less transparent, with a more or less pronounced tinge of geometrical necessity? In fact, when I say that the water on the fire will boil today as it did yesterday, and that this is an absolute necessity, I feel vaguely that my imagination is placing the stove of yesterday on that of today, kettle on kettle, water on water, duration on duration, and it seems then that the rest must coincide also, for the same reason that, when two triangles are superposed and two of their sides coincide, their third sides coincide also. But my imagination acts thus only because it shuts its eyes to two essential points. For the system of today actually to be superimposed on that of yesterday, the latter must have waited for the former, time must have halted, and everything become simultaneous: that happens in geometry, but in geometry alone. Induction therefore implies first that, in the world of the physicist as in that of the geometrician, time does not count. But it implies also that qualities can be superposed on each other like magnitudes. If, in imagination, I place the stove and fire of today on that of yesterday, I find indeed that the form has remained the same; it suffices, for that, that the surfaces and edges coincide; but what is the coincidence of two qualities, and how can they be superposed one on another in order to ensure that they are identical? Yet I extend to the second order of reality all that applies to the first. The physicist legitimates this operation later on by reducing, as far as possible, differences of quality to differences of magnitude; but, prior to all science, I incline to liken qualities to quantities, as if I perceived behind the qualities, as through a transparency, a geometrical mechanism. The more complete this transparency, the more it seems to me that in the same conditions there must be a repetition of the same fact. Our inductions are certain, to our eyes, in the exact degree in which we make the qualitative differences melt into the homogeneity of the space which subtends them, so that geometry is the ideal limit of our inductions as well as of our deductions. The movement at the end of which is spatiality lays down along its course the faculty of induction as well as that of deduction, in fact, intellectuality entire. Continue reading “BOILING GEOMETRY”

WITH THE “OLD SAGE” AND WITHOUT HIM

Nature is that which has always been there.  This is the thinking of Heraclitus.  In his eyes, it has always been made up of the world (cosmos) as what “was, is and will be.”  This is to make Nature finite, to diminish its power.  Nature did not create itself, that is to say permanently structure itself into the world, but unceasingly and tirelessly builds itself and becomes finite by forming itself into a multiplicity of worlds.  This means that it breaks up into innumerable worlds that are not at all eternal, but are born and perish.  It is like a perpetual laboratory of endless and multiple trials because it is not only one order (cosmos) that is born of Nature, but all systems of the order are born of it at one time or another.

By his cosmology, Heraclitus is the ancestor of Plato’s followers.  However, by his panta rhei, “everything flows,” he is the prime example of all the philosophies of movement, from Montaigne to Bergson, before and after.  Furthermore, what is the Tao, according to Lao Tzu, but “perpetual mutability itself,” that is to say Heraclitus’s river?  Yet it must be added: with certain characteristics of Anaximander’s Phusis, because the “Path” (Tao), which is infinite in that it is unqualified, undetermined, and conceptually incomprehensible, is also the source and principle of birth and growth for individual beings: differentiating themselves and becoming finite, it thus deploys a generative force, Te – a word which is generally translated as “Virtue.”  Nothing prevents this “Virtue” from showing itself in innumerable worlds.

Continue reading “WITH THE “OLD SAGE” AND WITHOUT HIM”