In a general way, reality is ordered exactly to the degree in which it satisfies our thought. Order is therefore a certain agreement between subject and object. It is the mind finding itself again in things. But the mind, we said, can go in two opposite ways. Sometimes it follows its natural direction: there is then progress in the form of tension, continuous creation, free activity. Sometimes it inverts it, and this inversion, pushed to the end, leads to extension, to the necessary reciprocal determination of elements externalized each by relation to the others, in short, to geometrical mechanism. Now, whether experience seems to us to adopt the first direction or whether it is drawn in the direction of the second, in both cases we say there is order, for in the two processes the mind finds itself again. The confusion between them is therefore natural. To escape it, different names would have to be given to the two kinds of order, and that is not easy, because of the variety and variability of the forms they take. The order of the second kind may be defined as geometry, which is its extreme limit; more generally, it is that kind of order that is concerned whenever a relation of necessary determination is found between causes and effects. It evokes ideas of inertia, of passivity, of automatism. As to the first kind of order, it oscillates no doubt around finality; and yet we cannot define it as finality, for it is sometimes above, sometimes below. In its highest forms, it is more than finality, for of a free action or a work of art we may say that they show a perfect order, and yet they can only be expressed in terms of ideas approximately, and after the event. Life in its entirety, regarded as a creative evolution, is something analogous; it transcends finality, if we understand by finality the realization of an idea conceived or conceivable in advance. The category of finality is therefore too narrow for life in its entirety. It is, on the other hand, often too wide for a particular manifestation of life taken separately. Be that as it may, it is with the vital that we have here to do, and the whole present study strives to prove that the vital is in the direction of the voluntary. We may say then that this first kind of order is that of the vital or of the willed, in opposition to the second, which is that of the inert and the automatic. Common sense instinctively distinguishes between the two kinds of order, at least in the extreme cases; instinctively, also, it brings them together. Continue reading “BERGSON ON ORDER & CHAOS”
The Overall Philosophical Consequences
We began with a cognitive semantic analysis of the concepts of events and causation. If one accepts that analysis, a great deal follows. Given that causation is a multivalent radial concept with inherently metaphorical senses, the theory of the one true causation becomes not merely false, but silly. Once we know that it is multivalent, not monolithic, and that it is largely metaphorical, it turns out not to be the kind of thing that could have a single logic or could be an objective feature of the world. Since the concept of causation has ineliminably metaphorical subcases, those forms of causation, as conceptualized metaphorically, cannot literally be objective features of the world. There can be no one true causation.
That does not mean that causation does not exist, that there are no determining factors in the world. If one gives up the correspondence theory of truth and adopts the experientialist account of truth as based on embodied understanding, then there is a perfectly sensible view of causation to be given. We do not claim to know whether the world, in itself, contains “determining factors.” But the world as we normally conceptualize it certainly does. Those determining factors consist in all the very different kinds of situations we call causal.
When we see or hypothesize a determining factor of some kind, we conceptualize it using one of our forms of causation, either literal or metaphorical. If metaphorical, we choose a metaphor with which to conceptualize the situation, preferably a metaphor whose logic is appropriate to the kind of determining factor noticed. Using that metaphor we can make claims about that determining factor. The claims can be “true” relative to our understanding, which itself may be literal or metaphorical.
This does not eliminate all problems of truth with respect to metaphor. It moves many of them to another place, but a more appropriate place. It leads us to ask, “When is a metaphorical conceptualization of a situation apt?” Is it an apt use of metaphor to apply the metaphor of Causal Paths to democracy in the arena of foreign policy? Only relative to a decision concerning the aptness of the metaphor can we draw conclusions on the basis of the Causal Paths metaphor. Continue reading “CONCEPTS OF CAUSALITY”