Our fear of helplessness, the perception of the cosmos and even ourselves as nonliving, and the threat of a meaningless and disordered world are all familiar complaints of the alienated modern man and, as I have suggested, are all associated with characteristic phases of psychological development. Insofar as they comprise or express our sense of a menacing disintegration, they serve a neurotic quest for control. From the self-abnegation and bodily humiliation of Christian flagellants, to the pious compulsions of fanatic cleanliness and sanitation, and finally the yearning for power over physical nature made possible by industrialized technology, we are engaged in a desperate flight from inchoate diversity and our own feelings of anonymity and fragmentation. Today we seek to fabricate a world in which we hope to heal our stunted identities and rear children in a hopeful and meaningful setting. But our rural/urban landscapes, generated by an ideology of mastery, define by subordination, not analogy. The archetypal role of nature—the mineral, plant, and animal world found most complete in wilderness—is in the development of the individual human personality, for it embodies the poetic expression of ways of being and relating to others. Urban civilization creates the illusion of a shortcut to individual maturity by attempting to omit the eight to ten years of immersion in nonhuman nature. Maturity so achieved is spurious because the individual, though he may become precociously articulate and sensitive to subtle human interplay, is without a grounding in the given structure that is nature. His grief and sense of loss seem to him to be a personality problem, so that, caught in a double bind, he will be encouraged to talk out his sense of inadequacy as though it were an interpersonal or ideological matter. Indeed, the real brittleness of modern social relationships has its roots in that vacuum where a beautiful and awesome otherness should have been encountered. The multifold otherness-with-similarities of nonhuman nature is a training ground for that delicate equilibrium between the play of likeness and difference in all social intercourse and for affirmation instead of fear of the ambiguities and liveliness of the self.
Paul Shepard, Nature and Madness.